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Crazy Like the Fox

‘Prose’ Category

  1. Postmodernism

    02/09/2023 by axonite

    More than other movements, such as Romanticism and Existentialism, Postmodernism is perhaps the one that most often results in confusion. Put simply, it is a rejection of the notion of certainty. It is also about artists (writers, sculptors, architects etc.) having fun – while reminding us that this is a construct and not life.

    It is not that postmodernists say that there is no such thing as ‘Truth’ – but that we cannot be sure exactly what that thing is (ToK connection here). Since our perceptions are filtered through our senses, we cannot really know that what you see as ‘blue,’ I also see as ‘blue.’ Taking it to the extreme, we are reminded of Descartes – “I think; therefore I am” being the most that I can say with any certainty!

    Victorian writers tended to aim for verisimilitude (many readers got rather upset when a train was cited wrongly in a Sherlock Holmes story), sounding sometimes like a Police report. By contrast, postmodernist writers may remind us that this is fiction, introducing metafiction elements (a great example of this being John Fowles’ The French Lieutenant’s Woman in which the author himself pops up in the story). Perhaps, after WWII, many artists simply wanted a “brave new world” (to coin a phrase) and wanted to focus not so much on the world per se but how we perceive it. Hence, literary techniques such as the unreliable narrator, the vivid instant, non-chronological narrative, stream of consciousness and metafiction.

     


  2. Reading List by Genre

    01/06/2022 by axonite

    Now is always the perfect time to chill out with a good book.

     

    “Outside of a dog, a book is a man’s best friend. Inside of a dog, it’s too dark to read.”
    — Groucho Marx

     

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    “So please, oh PLEASE, we beg, we pray, Go throw your TV set away, And in its place you can install, A lovely bookshelf on the wall.”
    — Roald Dahl, Charlie and the Chocolate Factory

    “There is more treasure in books than in all the pirate’s loot on Treasure Island.”
    — Walt Disney

     

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    Best Sci-Fi Authors

    01 Isaac Asimov
    02 Arthur C Clarke
    03 John Wyndham
    04 John Christopher
    05 Ray Bradbury
    06 H.G. Wells
    07 Fritz Leiber
    08 Orson Scott Card
    09 Brian Aldiss
    10 Jack Chalker
    11 Theodore Cogswell
    12 Theodore Sturgeon
    13 Harry Harrison
    14 Jack Williamson
    15 William Nolan
    16 Harlan Ellison
    17 Larry Niven
    18 Jack Vance
    19 Margaret Atwood
    20 Bob Shaw

     

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    Best Fantasy Authors

    01 J.R.R. Tolkien
    02 Terry Brooks
    03 Steven Erikson
    04 Philip Jose Farmer
    05 George R.R. Martin
    06 Ursula K. Le Guin
    07 Robin Hobb
    08 Roger Zelazny
    09 Terry Pratchett
    10 David Eddings
    11 Frank Herbert
    12 Raymond E. Feist
    13 T.H. White
    14 Robert Jordan
    15 David Gemmell
    16 Stephen R. Lawhead
    17 Mervyn Peake
    18 Jack Vance
    19 H.P Lovecraft
    20 George Clayton Johnson

     

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    Best Comedy Authors

    01 P.G. Wodehouse
    02 Bill Bryson
    03 Harry Harrison
    04 Terry Pratchett
    05 Jerome K. Jerome
    06 Kingsley Amis
    07 Tony Hawks
    08 Stella Gibbons
    09 Evelyn Waugh
    10 Douglas Adams
    11 Joseph Heller
    12 James Herriott
    13 Isaac Bashevis Singer
    14 Malcolm Bradbury
    15 Grant Naylor
    16 Bob Shaw
    17 J.K. Rowling
    18 Spike Milligan
    19 Sue Townsend
    20 Gerald Durrell

     

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    Best Crime Authors

    01 Arthur Conan Doyle
    02 Agatha Christie
    03 Stieg Larsson
    04 Raymond Chandler
    05 Dashiell Hammett
    06 Ruth Rendell
    07 Henning Mankell
    08 P.D. James
    09 Dorothy L Sayers
    10 Patricia Cornwell
    11 James Patterson
    12 Colin Dexter
    13 Ellis Peters
    14 Patricia Highsmith
    15 Ed McBain
    16 Harlan Coben
    17 Ian Rankin
    18 Ann Cleeves
    19 Barbara Vine
    20 Josephine Tey

     

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    Best Horror Authors

    01 M.R. James
    02 Stephen King
    03 Bram Stoker
    04 Mary Shelley
    05 Jack Williamson
    06 Richard Matheson
    07 Edgar Allan Poe
    08 H.P. Lovecraft
    09 Ray Bradbury
    10 Clive Barker
    11 Robert Bloch
    12 Algernon Blackwood
    13 Ambrose Bierce
    14 Dean Koontz
    15 Clarke Aston Smith
    16 James Herbert
    17 Anne Rice
    18 Peter Ackroyd
    19 Charles Beaumont
    20 Ira Levin

     

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    Best Modern Playwrights

    01 Tom Stoppard
    02 Arthur Miller
    03 Brian Friel
    04 Samuel Beckett
    05 Bertolt Brecht
    06 Caryl Churchill
    07 Harold Pinter
    08 George Bernard Shaw
    09 Willy Russell
    10 David Williamson
    11 T.S. Eliot
    12 David Mamet
    13 Ariel Dorfman
    14 Stephen Sondheim
    15 Lucy Prebble
    16 Wole Soyinka
    17 Alan Bennett
    18 Alan Ayckbourn
    19 J. B. Priestley
    20 Terence Rattigan

     

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    Best Graphic Novels

     

    01 Charlie’s War
    02 Pyongyang: A Journey in North Korea
    03 V For Vendetta
    04 Planet of the Apes: Cataclysm
    05 Persepolis
    06 Space 1999: To Everything That Was
    07 Nausicaä
    08 Thorgal
    09 Galaxy Express 999
    10 Dan Dare
    11 Watchmen
    12 Maus
    13 Storm (Don Lawrence)
    14 The Freedom Collective
    15 2001 Nights of Space
    16 Wulf, The Briton
    17 The Vagabond of Limbo
    18 Citizen of the Galaxy
    19 Judge Dredd: The Cursed Earth
    20 Strontium Dog

     

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    London (1940)

     

    Links

    The Big Read

    The 100 Best Novels

    Libraries that look like Alien Spaceships

    Who killed Literature?

    Ursula K. Le Guin Names the Books She Likes and Wants You to Read

     

    Book Suggestions (by Year Group)




  3. Lord of the Flies – General intro

    10/09/2018 by axonite

    When looking at any text (poem, short story, novel excerpt, holiday brochure etc), look first at the title. In this case ‘Lord of the Flies’ (Baal-ze-Bub, later Beelzebub) is indicative of evil. This hints at the topic of the narrative.

    As the story opens, it seems similar to Coral Island – jolly good fun with no adults to spoil it! The boys sound like quaintly old-fashioned English school children from 1950s books and magazines (with one exception). Nothing an author does is accidental. Here, Golding explores the difference between expectation and reality. Will the boys build their utopia? Will their ingenuity get them rescued? Will they have lots of fun in the meantime?

    The island (on which the boys find themselves) is, in a sense, a microcosm of the world. Each boy is a person in his own right but also represents character types. We have the well-meaning, charismatic but not very clever or successful leader, the natural victim (who is intelligent, but ignored because he is of a lower social class and less physically attractive than others), the warlord/gang boss, the henchmen, the mystic and so on. We also see how the desire for an easy life and simple answers can lead to ruination. The story has real life implications – it is allegorical (like parables or fables).

    “…is indicative of…” is a great IGCSE style expression. It sounds much better than repeatedly saying “…tells us that…”
    narrative = story
    narrator = story teller
    narrates = (verb) tells the story
    topic = one word (e.g. Power)
    theme = a ‘truth claim’ about the topic (e.g. Power corrupts)
    message (the ‘moral’ of the story) = how we should respond (Don’t be corrupted by Power)
    micro = a smaller version of something (e.g. the family is a microcosm of society)
    macro = a larger version
    charismatic = having a ‘magnetic’ personality (one to whom others are drawn)

     


  4. Imagery

    29/09/2017 by axonite


     

    “Why is the imagery there?” someone asked me this week.
     

    To ask this question is perhaps indicative of thinking about the poem or lyrical prose passage too much and (to paraphrase Charlie Chaplin) feeling it too little. One might as well say, “what is the purpose of poetry?” (Sadly, one joyless Mr Spock type Science teacher once did, before going on to declare that it “serves no function”! It seemed that for him love, humour and enjoyment in general were illogical and thus “irrelevant, captain”).

     

    Figurative language is essentially poetic language. When we read lyrical passages in works such as Laurie Lee’s As I Walked Out One Midsummer Morning, we need to ‘experience’ it with our senses. What Lee does is share with us, first and foremost, the feeling of being in those ‘exotic’ places, so we can understand on an emotional level something of what it felt like for him to have that peculiarly paradoxical mix of revulsion and attraction, of culture shock and exoticism. Imagery hits us in our hearts. We are intended to respond to it as human beings – yes, we may think about it, but feelings precede thoughts in this case.


  5. Connecting content and form

    28/10/2016 by axonite

    The Lost Albums Loved by the Stars

     

     

    The write-up for the first album cited here is a very good example of how to connect form and content in poetry. This is specific and focused, a far cry from empty claims or vague references that sometimes occur in poetry essays for IGCSE and IB. Take note.

     

    P.S. Don’t forget that these are also the kinds of comments that you should be writing about prose too – it’s not just poetry that has rhythm, repetition and so on.


  6. Sredni Vashtar by Saki

    01/02/2016 by axonite

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    I have long been a fan of H.H. Munro (A.K.A. Saki). His caustic humour and fierce intelligence shine through in all his work – he has a peculiar paradoxical blend of civilisation and savagery. This particular story, Sredni Vashtar, is quite typical of his writing. Like many of his stories, it features dark humour, but this time with a macabre twist.

     

    The boy in the story is similar to the one in The Lumber Room – clever, imaginative, isolated and engaged in a quiet war of nerves with a stultifying older relative who has power over him. In both stories, the younger mind prevails.

     
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    As you read, pay attention to how Saki manipulates our response to the protagonist, Conradin, and how he makes the ending so effective.

     

    Here, Tom Baker takes a break from battling Daleks and Cybermen, and reads Sredni Vashtar. Enjoy.

     

    Sweet Agony of the Short Narrative

    Prezi


  7. The Phoenix by Sylvia Townsend Warner

    01/02/2016 by axonite

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    As you read this short story, you should notice similarities with the first tale in the IGCSE selection (for 2017/2018 examination). Like Sredni Vashata, this story, The Phoenix, features cruelty, human folly, Natural Justice and a highly barbed sense of humour.

     

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    The Sylvia Townsend Warner Society

    Analysis of The Phoenix

    Article on The Phoenix


  8. Billenium by J. G. Ballard

    11/10/2014 by axonite

    Billenium‘ J. G. Ballard, 1961 – (Alternate title: ‘Billennium’) Overpopulation has sensitized everyone to space, including Ward, who measures his ceiling to make sure the upstairs neighbour isn’t pulling a fast one. When he discovers a hidden room and shares it with others, will his generosity mean anything?

    The Oxford Book of Science Fiction.

     

    J.G. Ballard was a prominent writer, both of Sci-Fi and ‘mainstream’ literature. This particular short story from the Stories of Ourselves anthology is yet another bleak perspective on human nature. However, the best Sci-Fi is prophetic – this means that it doesn’t so much seek to predict the future as prevent it It is a warning of what might happen if we don’t mend our ways.

     

    The genre is Science-Fiction (sometimes called Speculative Fiction), and the sub-genre is Dystopian Fiction. This type of story is really about the present – it focuses on a social issue/trend and extrapolates its future implications (in this case, over-population). In this sense, it is a literary form of a caricature.

     

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    In a similar vein, but much more hard-hitting, is Harry Harrison’s Make Room! Make Room!, which was made into the feature film Soylent Green:

     

     

    Billenium – The Text

    Analysis – APB-SAL

    Academic De-Stressor

    Book Review

    Funambulist

    13 Stories

    Overpopulation

    The studio flat for rent where you climb a ladder on the fridge to get to bed

    Malthusianism

    Paul R. Ehrlich

    Mass birth-control programmes

    Global overpopulation would ‘withstand war, disasters and disease’

    Boxed In


  9. The Prison by Bernard Malamud

    10/10/2014 by axonite

    He thought about life. You never really got what you wanted. No matter how you tried you made mistakes and could never get past them. You could never see the sky and the ocean because you were locked in a prison, except that nobody called it a prison.

     

    Oh dear. The Prison. Another short story with a decidedly cynical tone – but this time there is none of the black humour of Sredni Vashtar or The Phoenix. This time, it’s just bleak, bleak, bleak. Fate, historical inevitability or  our own natures forms a ‘prison’ – oh, and no good deed goes unpunished.

     

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    Prezi

    Academic De-Stressor


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